This thing that makes me happy

Love’s Garden in the time of Corona

These are tough times. We feel trapped. We feel alone. We miss the people we took for granted. We miss things we took for granted. We look back on our hopes and dreams. We wonder. We choose. We reflect.

And maybe we read.

Love’s Garden, is now available for pre-order from Aubade Publishing at

https://aubadepublishing.com/books/loves-garden

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Love’s Garden, or, the secret I kept for fifteen years

https://i.send2press.com/meog5

That’s right. It took me fifteen years to write about thirty versions of my debut novel Love’w Garden, until editors and readers thought I’d got it right. So, to begin with, writers take heart. The only thing you mustn’t do is stop writing. It will take the time it takes but patience is the sweetest sauce.

I want to share with my dear readers, family and friends, near and far the press release for Love’s Garden. Do browse, and think of eight very happy writers. You’ll see the cover of Love’s Garden on the top right.

PRESS RELEASE PERMALINK:

https://www.send2press.com/wire/aubade-publishing-achieves-publishing-goal-one-year-early-releases-eight-titles-in-2020/

“Love’s Garden” (ISBN: 978-1-951547-08-0), historical fiction by Nandini Bhattacharya (October 27, 2020)

The book is available for pre-order directly from the publisher’s website at: https://aubadepublishing.com.

OH BY THE WAY! If you have responses to the current cover design of Love’s Garden I’d LOVE to hear from you. The current image is not final, and if you would like to suggest changes I would be more than delighted. Thanks, all! You can comment directly at the link on this post.

Review of Jeffery Colvin’s Africaville

Africaville by Jeffrey Colvin


Africaville is, to put it briefly, stunning. It took me some time to grasp the reasons for the diffuseness of the book’s events, characters, and topography. Frankly, names and places seemed to be jostling, crowding one another too closely, sending things out of focus.

After reading more, though, and noting the peripatetic lives of so many characters in the community — living or dead — I began to realize that the mode is the matter. The diffuseness of the telling gestures at the displacement and movements of the African diaspora, with corners and nooks of the world of Africaville and its residents left in gray shadows such as those an incomplete and un-sutured people’s history and memory create. How else does one talk about what happened to the African diaspora, and what continues to happen today in penitentiaries and purgatories in North America? Last but not least, the delineation of women characters in the book was outstanding, and Zera Platt was someone I got to know and like as if she were a foremother I hope I’ve had.



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